Showing posts with label Season. Show all posts
Showing posts with label Season. Show all posts

Wednesday, 26 January 2011

Weekend Movie Preview: 'Season of the Witch,' 'Country Strong'


January is often the no-man's-land of Hollywood's calendar, an island of misfit toys that are neither Oscar hopefuls nor surefire commercial hits. There's only one new wide release this week, 'Season of the Witch,' kicking off this season of the hard-to-market. New and Noteworthy

'Season of the Witch' (PG-13)

Starring: Nicolas Cage, Ron Perlman, Stephen Campbell Moore, Claire Foy, Robbie Sheehan
Directed by: Dominic Sena
What's It About? Two medieval knights (Cage and Perlman) must escort to a monastery a girl (Foy) suspected of being the witch who caused the Black Plague, for an exorcism meant to undo the curse. Cage's character suspects she is innocent, but along the way, it becomes clear that dark supernatural forces are at work.
Why Should You See It? There's not a lot of advance buzz about this film, which was initially supposed to be released last March, but we do know that no one does intense like Cage, and no one does grotesque like 'Hellboy' star Perlman.
You Might Like It If You Like: 'The Order,' 'The Name of the Rose,' 'The Seventh Seal'

Showtimes & Tickets
Nicolas Cage Interview | 47 Facts About Nicolas Cage | In Defense of Nicolas Cage

Watch a Scene From the Movie and Mr. Moviefone's Six Second Review


In Limited Release / Expanding

'Country Strong,' which finally opens wide this weekend, is a musical drama about a down-and-out Nashville country singer (Gwyneth Paltrow) who tries to reboot her career following a high-profile stint in rehab. Showtimes & Tickets | Watch the Trailer

'Phil Ochs: There But for Fortune' is a documentary that examines the music and tragically short life of the 1960s protest singer. Showtimes & Tickets

'The Time That Remains' is an autobiographical comedy-drama from Palestinian director Elia Suleiman about the fraught history between the Palestinians and Israelis. Showtimes & Tickets
Still in Theaters, Still Awesome

'Blue Valentine' -- Watch for Oscar nominations for both Ryan Gosling and Michelle Williams in this intimate portrait of a marriage's sweet beginning and bitter ending. Showtimes & Tickets | Watch the Trailer
'Another Year' -- Watch for an Oscar nomination for Lesley Manville as a freewheeling middle-aged Brit in Mike Leigh's comedy-drama. Showtimes & Tickets | Watch the Trailer
'True Grit' -- Watch for an Oscar nomination for Jeff Bridges in the Coen brothers' bloody-good remake of the 1969 John Wayne classic.
Staying in This Weekend?
New on DVD This Week: The French satire 'The Dinner Game' (1999) was a hilarious farce about a yuppie who competes with his associates to see who can bring the most clueless buffoon to a dinner party, only to have the buffoon he picks inadvertently wreck his life. Last summer's American remake, 'Dinner for Schmucks,' both softens the satire and takes it to some bizarre, otherworldly land of absurdity. Here, the yuppie is Paul Rudd, while his unwittingly destructive idiot is Steve Carell. It has its moments, but for consistent laughs, brave the subtitles and rent the original. Buy or rent the DVD | More new DVD releases

Movie Homework: If the premise of 'Season of the Witch' sounds familiar, maybe that's because you've seen this tale more than once, albeit in a more modern context. A notable version was Dennis Hopper's 'Chasers' (1994), in which two Navy men (Tom Berenger and William McNamara) had to escort to trial a young woman ('Baywatch's' Erika Eleniak) who was a lot trickier than she seemed. That, in turn, was a virtual remake of 'The Last Detail,' in which the prisoner is hapless Randy Quaid and his naval escorts are Jack Nicholson and Otis Young. Nicholson being Nicholson (and this being 1973), he's determined to bend the rules and show nebbishy Quaid a hellraising good time on the way to the brig. No witches, no black plague, just a sweet, sad gem from '70s auteur Hal Ashby. Buy or rent the DVD

On Our Netflix Queue: Watching Ben Stiller and Owen Wilson going through the motions in the current 'Little Fockers,' it's easy to forget that these two are a unique comedy team, with their own offbeat rhythms and chemistry, who've made 10 movies together. The one we never get tired of is 'The Royal Tenenbaums,' where failed financial genius Stiller and substance-abusing novelist Wilson are part of a larger family dynamic that also wraps Gene Hackman, Anjelica Huston, Gwyneth Paltrow, Luke Wilson, Danny Glover, and Bill Murray in director Wes Anderson's gentle lunacy. Buy or rent the DVD
•Follow Gary Susman on Twitter @garysusman.

View the original article here

Tuesday, 11 January 2011

The Evolution of Nicolas Cage: From 'Valley Girl' to 'Season of the Witch'


It's Nicolas Cage Week here at Moviefone! In celebration of this Friday's 'Season of the Witch,' we have examined every facet of the Cage phenomenon -- from tiny nuggets of trivia to a one-on-one with the man himself.

But how did we reach this point as a society, where we're obligated to honor him with a week-long national holiday? Moviefone examines the long and winding acting path that Cage's career has taken -- starting out as a name-shunning Coppola and heading all the way to the one-man school-of-acting he has become.

Join us please, as we look at the evolution of Nicolas Cage.

First Starring Role With 'Valley Girl' (1983)
Nicolas Coppola's first movie credited as "Nicolas Cage" saw him star as a Hollywood punk who dared to cross social boundaries and date a girl from the Valley. The movie was a nice little hit filled with a still-cool new-wave soundtrack, and serves as a genuinely well-done slice of teen pop filmmaking.

First Serious Acting Cred With 'Raising Arizona' (1987)
After doing a couple movies with his uncle Francis, Cage starred as "Hi" McDunnough, perpetual convenience store robber and paramour of former police office Edwina. Amidst the crazy hair and crazy accent was a truly off-kilter performance done in the style of a classic screwball comedy. The film was ranked No. 31 on AFI's 100 Years ... 100 Laughs list of the best comedies of the 20th century.


First Blockbuster With 'Moonstruck' (1987)
The $80 million-grossing romantic comedy won three Academy Awards -- plus three additional nominations -- for its Brooklyn-set Italian love triangle. Cher is engaged to be married to the bumbling Johnny, but she can't seem to get her mind off Johnny's younger brother, Ronny, the one-handed baker, played by Cage. His lovestruck puppy routine is met with one of moviedom's most famous quotes.
First Glimpse Into the Crazy With 'Vampire's Kiss' (1988)
Cage gained attention for manic, quirk-filled performances like 'Wild at Heart' and 'Red Rock West,' but the first off-the-deep-end role came with his cockroach-eating, delusional corporate yuppie -- who may or may not be a vampire -- that goes so crazy, so fast, you're not prepared for it.

First Academy Award Nom (And a Win) With 'Leaving Las Vegas' (1995)
Cage's turn as the depressed alcoholic who decides to drink himself to death and spend his last few days with a hooker with a heart of gold, earned him an Academy Award, at the age of 31. To research the part, based on the semi-autobiographical book by John O'Brien, Cage went on a binge drinking tour through Ireland and visted with hospitalized alcoholics.

First Action Role With 'The Rock' (1996)
Once he nabbed Oscar gold, Jerry Bruckheimer called. The mega-blockbuster producer turned Cage from an eccentric, well-regarded character actor into a roundhouse-kicking, double-gun-blazing man of action. 'The Rock' was just the first in a long, looooooong list of action movies, ranging from 'Con Air' to 'Gone in 60 Seconds' to 'National Treasure.'

First Second-Wind With 'Adaptation' (2002)
After becoming Mr. Hollywood, Cage started to wear himself thin with movies like 'City of Angels,' 'Snake Eyes' and 'Captain Corelli's Mandolin.' Fans of the man who delivered Elvis-loving crazy like 'Wild at Heart' began to worry that he had lost his touch. Luckily, 'Adaptation' came along, giving Cage the chance to stretch his character-acting muscles by playing real-life neurotic screenwriter Charlie Kauffman and his fictional twin brother, the vapid Donald. His second Oscar nomination quickly followed.

First Internet Meme With 'The Wicker Man' (2006)
If it wasn't for the internet, a D.O.A. dud like 'The Wicker Man' probably would have been forgotten about. But the Internet was there to extract Cage's performance -- like a scientist breaking down a complex compound. And there underneath it all was pure, elemental Cage in all its substance. What else could be said about 'Wicker Man'? Just watch the chemistry.

First Meta Parody With 'Kick-Ass' (2010)
At this point in his career, Cage is pretty much bullet-proof. Sure, he has to pay off a lot of debt, but he's going to on whatever acting job he desires. If he wants to be a sorcerer, Fu Manchu, the Spirit of Vengeance, the voice of a talking mole or an Adam West-sounding, comic book-obsessed vigilante who trains his daughter to slice up hitmen, then damn it he's going to do it.

And check out our week of Nicolas Cage coverage:

Monday -- 47 Facts About Nicolas Cage
Tuesday -- In Defense of Nicolas Cage
Wednesday -- Nicolas Cage Q+A
Thursday -- The Evolution of Nicolas Cage
Friday -- 10 Best and 10 Worst Nicolas Cage Movies


View the original article here

Weekend Movie Preview: 'Season of the Witch,' 'Country Strong'


January is often the no-man's-land of Hollywood's calendar, an island of misfit toys that are neither Oscar hopefuls nor surefire commercial hits. There's only one new wide release this week, 'Season of the Witch,' kicking off this season of the hard-to-market. New and Noteworthy

'Season of the Witch' (PG-13)

Starring: Nicolas Cage, Ron Perlman, Stephen Campbell Moore, Claire Foy, Robbie Sheehan
Directed by: Dominic Sena
What's It About? Two medieval knights (Cage and Perlman) must escort to a monastery a girl (Foy) suspected of being the witch who caused the Black Plague, for an exorcism meant to undo the curse. Cage's character suspects she is innocent, but along the way, it becomes clear that dark supernatural forces are at work.
Why Should You See It? There's not a lot of advance buzz about this film, which was initially supposed to be released last March, but we do know that no one does intense like Cage, and no one does grotesque like 'Hellboy' star Perlman.
You Might Like It If You Like: 'The Order,' 'The Name of the Rose,' 'The Seventh Seal'

Showtimes & Tickets
Nicolas Cage Interview | 47 Facts About Nicolas Cage | In Defense of Nicolas Cage

Watch a Scene From the Movie and Mr. Moviefone's Six Second Review


In Limited Release / Expanding

'Country Strong,' which finally opens wide this weekend, is a musical drama about a down-and-out Nashville country singer (Gwyneth Paltrow) who tries to reboot her career following a high-profile stint in rehab. Showtimes & Tickets | Watch the Trailer

'Phil Ochs: There But for Fortune' is a documentary that examines the music and tragically short life of the 1960s protest singer. Showtimes & Tickets

'The Time That Remains' is an autobiographical comedy-drama from Palestinian director Elia Suleiman about the fraught history between the Palestinians and Israelis. Showtimes & Tickets
Still in Theaters, Still Awesome

'Blue Valentine' -- Watch for Oscar nominations for both Ryan Gosling and Michelle Williams in this intimate portrait of a marriage's sweet beginning and bitter ending. Showtimes & Tickets | Watch the Trailer
'Another Year' -- Watch for an Oscar nomination for Lesley Manville as a freewheeling middle-aged Brit in Mike Leigh's comedy-drama. Showtimes & Tickets | Watch the Trailer
'True Grit' -- Watch for an Oscar nomination for Jeff Bridges in the Coen brothers' bloody-good remake of the 1969 John Wayne classic.
Staying in This Weekend?
New on DVD This Week: The French satire 'The Dinner Game' (1999) was a hilarious farce about a yuppie who competes with his associates to see who can bring the most clueless buffoon to a dinner party, only to have the buffoon he picks inadvertently wreck his life. Last summer's American remake, 'Dinner for Schmucks,' both softens the satire and takes it to some bizarre, otherworldly land of absurdity. Here, the yuppie is Paul Rudd, while his unwittingly destructive idiot is Steve Carell. It has its moments, but for consistent laughs, brave the subtitles and rent the original. Buy or rent the DVD | More new DVD releases

Movie Homework: If the premise of 'Season of the Witch' sounds familiar, maybe that's because you've seen this tale more than once, albeit in a more modern context. A notable version was Dennis Hopper's 'Chasers' (1994), in which two Navy men (Tom Berenger and William McNamara) had to escort to trial a young woman ('Baywatch's' Erika Eleniak) who was a lot trickier than she seemed. That, in turn, was a virtual remake of 'The Last Detail,' in which the prisoner is hapless Randy Quaid and his naval escorts are Jack Nicholson and Otis Young. Nicholson being Nicholson (and this being 1973), he's determined to bend the rules and show nebbishy Quaid a hellraising good time on the way to the brig. No witches, no black plague, just a sweet, sad gem from '70s auteur Hal Ashby. Buy or rent the DVD

On Our Netflix Queue: Watching Ben Stiller and Owen Wilson going through the motions in the current 'Little Fockers,' it's easy to forget that these two are a unique comedy team, with their own offbeat rhythms and chemistry, who've made 10 movies together. The one we never get tired of is 'The Royal Tenenbaums,' where failed financial genius Stiller and substance-abusing novelist Wilson are part of a larger family dynamic that also wraps Gene Hackman, Anjelica Huston, Gwyneth Paltrow, Luke Wilson, Danny Glover, and Bill Murray in director Wes Anderson's gentle lunacy. Buy or rent the DVD
•Follow Gary Susman on Twitter @garysusman.

View the original article here

Monday, 10 January 2011

Nicolas Cage on 'Season of the Witch,' Re-Shoots and Being a Pop Culture Figure


With the Jan. 7 release of 'Season of the Witch' fast approaching -- and what with this being Nicolas Cage Week here and all -- Moviefone can now offer up our complete interview with the endlessly fascinating and highly divisive actor.

Cage spoke with us about the reasons for the film's circuitous path to theaters, why he's excited to play a knight, and whether or not his character -- who is placed in charge of a witch accused of causing the bubonic plague -- is being portrayed ironically.

We've also re-inserted a previously posted portion of the interview (which ran last November on our sister site, Cinematical), in which Cage reveals his feelings about how people see him as an actor, and tells us just how drastic of a departure 'Ghost Rider: Spirit of Vengeance' is going to be from its outlandish 2007 predecessor.

Do you have any insight as to why, even though fans are eager to see medieval genre films, studios don't seem eager to put them out? 'Season of the Witch,' 'Solomon Kane' and 'Black Death' have all had release-date issues.

I wasn't aware of these other movies that had been put on the back-burner. This is the first I've heard of them, so I don't really know. I know that with this film, it was a matter of trying to give it even more scope than it already had, so that's why this one was delayed. The producers just wanted to make sure people really got their money's worth by ramping it up.

I can't really explain too much the reasoning for the re-shoots except I know the producers wanted there to be a couple more battle sequences and to ramp up some of the effects in the movie, because it is a supernatural story and it is an adventure story. So they wanted to make sure they had enough of that. I know they're very happy with the results, though I haven't seen the finished product yet. I'm told that the movie is quite scary, which I am thrilled to hear, as it was my hope to make a really scary movie.

That's not to say it's strictly a horror film. I know it works on other levels as well, but I am a fan of the genre.

That's actually one of the things that surprised me about the trailer for the film. You can see its supernatural edge right away.

That's kind of the way it was with the script. I read it thinking, "This is marvelous, it's not like anything I've done before or read before." It was an opportunity for me to embrace a character from another team that had a deep belief and sense of honor in the world of knighthood that I responded to. I don't know why it took this long for me to play a knight in a movie, but I'm very glad it did happen.

Since you do tend to play characters who are all haunted by past demons, is there any particular demon haunting your character this time around?

You could say he's the movie's first conscientious objector. He sort of breaks free from propaganda -- in this case, religious propaganda -- and sees the light of not wanting to kill civilians and starts to reawaken his connection with God and his faith without a machine telling him what to think. In that regard, he's kind of an iconoclast.

And since you tend to give your characters a decidedly mischievous sense of humor, have you done the same here?

There are moments for humor in the movie, especially with Ron Perlman's character, but I don't think that Behmen has the subversive sense of humor that some of the other character's I've played have. This one was more about having a certain kind of enigmatic aura, if anything, that hearkened back to the fantastical, medieval world. And I was hoping to try and create something more like that than being straight-up ironic.

How do you feel about how some of your characters and roles have been taken lately as ironic? I don't know how in tune with online pop culture you are, but you've been at the heart of a number of products of a remix culture lately.

I think it's exciting. I want people to discover my movies and however they chose to receive it is their business. I can't help but be a little flattered by it and thankful for it.

I think in a way a lot of your roles and films operate on a time delay that takes most people a while to catch onto.

Yes.

But you also seem like someone who doesn't particularly mind that it takes a while for people to be in on it.

I would agree with that. I think a movie or a performance has to find its own life. All my favorite people in media, whether it's film, or painting or music, are people who have had to be rediscovered or needed a bit of time to help frame their work. Some things mature better and are more appealing when you get a few years on them. I know I've enjoyed and even really love some of the work from the '50s and early '60s ...
The acting in some of the TV shows then, like the 'Outer Limits,' for me, has matured incredibly well. I'm amazed at the quality of acting in those early television shows. It's not really there any more in contemporary acting. You have people like Robert Culp and Cliff Robertson, and that took a while for people to take to.

Shifting gears for a minute as we run out of time, and since I believe you're filming it right now, how is the second 'Ghost Rider' coming along?

'Ghost Rider' is coming along incredibly well. I am so excited about working with Neveldine and Taylor. Mark Neveldine is combination stuntman, camera operator, director -- I've never seen anyone do things with a camera that he does. He's got rollerblades he's on, he's hanging from wires -- he's completely original.

And Brian Taylor is someone who has an encyclopediac knowledge of film. You can talk about almost any movie with him. We were just talking about Michael Powell's 'Peeping Tom' and it's quite incredible to go from 'War of the Gargantuas' to 'Peeping Tom' within the same conversation. He has a real kind of philosophical look at things. It's definitely going to be an all new experience.

Since you are such a rabid fan of Superman, what would you, from a fanboy perspective, like to see in the new 'Superman' movie?

That's a good question. I will probably hesitate on answering that one because I know when that hits the web it will be everywhere. I'll talk with you about that one off the record some time.


View the original article here